拐人2：公有領域的劇情簡介 　　劇情簡介：
　　某些事件本身是被遺忘的，被摒除于版權之外，更是某個地域里人的共同創作和耳目相傳。這些無多大價值卻存附于地景、時空的事件該有保留下來的意義。試問當發生事件的地景逐漸蛻變時，事件本身是否行將消亡？作為個體，我或許可以紀錄下些什么。
　　Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the pla... (展開全部) 　　劇情簡介：
　　某些事件本身是被遺忘的，被摒除于版權之外，更是某個地域里人的共同創作和耳目相傳。這些無多大價值卻存附于地景、時空的事件該有保留下來的意義。試問當發生事件的地景逐漸蛻變時，事件本身是否行將消亡？作為個體，我或許可以紀錄下些什么。
　　Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something.
　　導演闡述：
　　10年前迷上電影的時候，我構思了《拐人》的雛形“無人?未知”。直至2015年，《拐人》得以面世。時隔3年再創作《拐人2：公有領域》。我希望為《拐人》補遺之余，進一步深入探討私人與公共、創作與共享、事件與地景之間的關系。這也是我對“地緣”的一種映像層面的實驗和存檔。
　　When I became interested in movie 10 years ago, I thought up the idea of “Unmanned / Unknown”—the prototype of “Abduction”. Until 2015, “Abduction” has been created. After 3 years, I am eager to create “Abduction 2: Public Domain”. During the creation, I want to make an addendum for “Abduction”. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO. 拐人2：公有領域的演職員 ( 全部 3 )

• 熊仔俠 導演
• 熊仔俠 演員
• 甲辰 攝影

拐人2：公有領域的圖片 ( 添加視頻評論|圖片3添加 )

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